How To Change Multiple Frames At A Time Photoshop Video

Photoshop User Guide
Introduction to Photoshop
1. Dream it. Make it.
2. What'due south new in Photoshop
3. Edit your first photo
4. Create documents
5. Photoshop | Common Questions
6. Photoshop arrangement requirements
7. Migrate presets, actions, and settings
8. Become to know Photoshop
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1. Photoshop and Adobe Stock
2. Creative Cloud Libraries
3. Creative Cloud Libraries in Photoshop
4. Use the Touch on Bar with Photoshop
5. Work with Illustrator artwork in Photoshop
6. Apply the Capture in-app extension in Photoshop
7. Grid and guides
8. Creating deportment
9. Undo and history
10. Default keyboard shortcuts
11. Touch capabilities and customizable workspaces
Photoshop on the iPad
1. Photoshop on the iPad | Common questions
2. Get to know the workspace
3. System requirements | Photoshop on the iPad
4. Create, open, and export documents
5. Add photos
6. Work with layers
7. Describe and pigment with brushes
8. Make selections and add masks
9. Retouch your composites
10. Work with adjustment layers
11. Adapt the tonality of your composite with Curves
12. Apply transform operations
13. Crop and rotate your composites
14. Rotate, pan, zoom, and reset the canvas
15. Work with Blazon layers
16. Work with Photoshop and Lightroom
17. Get missing fonts in Photoshop on the iPad
18. Japanese Text in Photoshop on the iPad
19. Manage app settings
20. Touch shortcuts and gestures
21. Keyboard shortcuts
22. Edit your image size
23. Livestream equally you create in Photoshop on the iPad
24. Correct imperfections with the Healing Brush
25. Create brushes in Capture and apply them in Photoshop
26. Piece of work with Camera Raw files
27. Create and work with Smart Objects
28. Adjust exposure in your images with Dodge and Burn
Photoshop on the web beta
1. Common questions | Photoshop on the spider web beta
2. Introduction to the workspace
3. Organisation requirements | Photoshop on the web beta
4. Keyboard shortcuts | Photoshop on the web beta
5. Supported file types | Photoshop on the spider web beta
6. Open and work with cloud documents
7. Collaborate with stakeholders
8. Utilise express edits to your cloud documents
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1. Photoshop cloud documents | Common questions
2. Photoshop cloud documents | Workflow questions
3. Manage and work with cloud documents in Photoshop
4. Upgrade deject storage for Photoshop
5. Unable to create or save a deject document
6. Solve Photoshop cloud certificate errors
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1. Workspace basics
2. Create documents
3. Use the Touch Bar with Photoshop
4. Microsoft Dial back up in Photoshop
5. Tool galleries
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13. Place Photoshop images in other applications
14. Preferences
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16. Rulers
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18. Specify columns for an prototype
19. Undo and history
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23. Position with the Ruler tool
24. Presets
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26. Grid and guides
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1. Photoshop for design
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5. Piece spider web pages
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7. Alter slice layout
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9. Create spider web photograph galleries
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1. How to resize images
2. Work with raster and vector images
3. Image size and resolution
4. Learn images from cameras and scanners
5. Create, open, and import images
6. View images
7. Invalid JPEG Mark mistake | Opening images
8. Viewing multiple images
9. Customize color pickers and swatches
10. High dynamic range images
11. Friction match colors in your image
12. Convert between color modes
13. Color modes
14. Erase parts of an image
15. Blending modes
16. Choose colors
17. Customize indexed color tables
18. Image information
19. Distort filters are unavailable
20. About color
21. Color and monochrome adjustments using channels
22. Choose colors in the Colour and Swatches panels
23. Sample
24. Color mode or Image mode
25. Colour cast
26. Add together a conditional style alter to an action
27. Add swatches from HTML CSS and SVG
28. Bit depth and preferences
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1. Layer basics
2. Nondestructive editing
3. Create and manage layers and groups
4. Select, grouping, and link layers
5. Place images into frames
6. Layer opacity and blending
7. Mask layers
8. Apply Smart Filters
9. Layer comps
10. Movement, stack, and lock layers
11. Mask layers with vector masks
12. Manage layers and groups
13. Layer furnishings and styles
14. Edit layer masks
15. Extract avails
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17. Generate prototype assets from layers
18. Work with Smart Objects
19. Blending modes
20. Combine multiple images into a group portrait
21. Combine images with Auto-Blend Layers
22. Align and distribute layers
23. Re-create CSS from layers
24. Load selections from a layer or layer mask's boundaries
25. Knockout to reveal content from other layers
26. Layer
27. Flattening
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29. Background
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1. Select and Mask workspace
2. Make quick selections
3. Go started with selections
4. Select with the marquee tools
5. Select with the lasso tools
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7. Arrange pixel selections
8. Convert between paths and selection borders
9. Channel basics
10. Move, copy, and delete selected pixels
11. Create a temporary quick mask
12. Save selections and alpha channel masks
13. Select the epitome areas in focus
14. Duplicate, split, and merge channels
15. Channel calculations
16. Selection
17. Bounding box
Prototype adjustments
1. Perspective warp
2. Reduce camera milk shake blurring
3. Healing brush examples
4. Export color lookup tables
5. Suit paradigm sharpness and blur
6. Sympathise color adjustments
7. Apply a Brightness/Contrast adjustment
8. Adjust shadow and highlight detail
9. Levels adjustment
10. Adjust hue and saturation
11. Conform vibrance
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13. Brand quick tonal adjustments
14. Utilize special color effects to images
15. Raise your image with color balance adjustments
16. High dynamic range images
17. View histograms and pixel values
18. Match colors in your paradigm
19. How to crop and straighten photos
20. Convert a color epitome to black and white
21. Adjustment and fill layers
22. Curves adjustment
23. Blending modes
24. Target images for press
25. Adapt color and tone with Levels and Curves eyedroppers
26. Arrange HDR exposure and toning
27. Filter
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29. Dodge or burn epitome areas
30. Brand selective colour adjustments
31. Replace object colors
Adobe Photographic camera Raw
1. Camera Raw organization requirements
2. What's new in Camera Raw
3. Introduction to Camera Raw
4. Create panoramas
5. Supported lenses
6. Vignette, grain, and dehaze effects in Camera Raw
7. Default keyboard shortcuts
8. Automatic perspective correction in Camera Raw
9. How to brand non-destructive edits in Camera Raw
10. Radial Filter in Camera Raw
11. Manage Camera Raw settings
12. Open, process, and save images in Camera Raw
13. Repair images with the Enhanced Spot Removal tool in Camera Raw
14. Rotate, ingather, and suit images
15. Adjust color rendering in Camera Raw
16. Feature summary | Adobe Camera Raw | 2018 releases
17. New features summary
18. Procedure versions in Camera Raw
19. Make local adjustments in Camera Raw
Image repair and restoration
1. Remove objects from your photos with Content-Aware Fill
2. Content-Aware Patch and Move
3. Retouch and repair photos
4. Correct image baloney and noise
5. Bones troubleshooting steps to fix most issues
Prototype transformations
1. Transform objects
2. Adjust ingather, rotation, and canvas size
3. How to crop and straighten photos
4. Create and edit panoramic images
5. Warp images, shapes, and paths
6. Vanishing Point
7. Use the Liquify filter
8. Content-aware scaling
9. Transform images, shapes, and paths
10. Warp
11. Transform
12. Panorama
Drawing and painting
1. Paint symmetrical patterns
2. Describe rectangles and change stroke options
3. About cartoon
4. Draw and edit shapes
5. Painting tools
6. Create and modify brushes
7. Blending modes
8. Add color to paths
9. Edit paths
10. Paint with the Mixer Brush
11. Brush presets
12. Gradients
13. Gradient interpolation
14. Fill and stroke selections, layers, and paths
15. Draw with the Pen tools
16. Create patterns
17. Generate a pattern using the Pattern Maker
18. Manage paths
19. Manage pattern libraries and presets
20. Draw or paint with a graphics tablet
21. Create textured brushes
22. Add dynamic elements to brushes
23. Slope
24. Paint stylized strokes with the Art History Brush
25. Paint with a blueprint
26. Sync presets on multiple devices
Text
1. Work with OpenType SVG fonts
2. Format characters
3. Format paragraphs
4. How to create blazon effects
5. Edit text
6. Line and character spacing
7. Standard arabic and Hebrew type
8. Fonts
9. Troubleshoot fonts
10. Asian type
11. Create type
12. Text Engine error using Type tool in Photoshop | Windows eight
13. Globe-Set composer for Asian Scripts
14. How to add and edit the text in Photoshop
Video and animation
1. Video editing in Photoshop
2. Edit video and animation layers
3. Video and animation overview
4. Preview video and animations
5. Paint frames in video layers
6. Import video files and epitome sequences
7. Create frame animations
8. Creative Cloud 3D Blitheness (Preview)
9. Create timeline animations
10. Create images for video
Filters and furnishings
1. Utilise the Liquify filter
2. Employ the Blur Gallery
3. Filter basics
4. Filter effects reference
5. Add Lighting Effects
6. Use the Adaptive Wide Angle filter
7. Apply the Oil Paint filter
8. Layer effects and styles
9. Apply specific filters
10. Smudge prototype areas
Saving and exporting
1. Save your files in Photoshop
2. Export your files in Photoshop
3. Supported file formats
4. Salve files in graphics formats
5. Movement designs between Photoshop and Illustrator
6. Save and export video and animations
7. Save PDF files
8. Digimarc copyright protection
Printing
1. Print 3D objects
2. Impress from Photoshop
3. Print with colour direction
4. Contact Sheets and PDF Presentations
5. Print photos in a moving picture package layout
6. Print spot colors
7. Duotones
8. Print images to a commercial press press
9. Improve color prints from Photoshop
10. Troubleshoot printing problems | Photoshop
Automation
1. Creating actions
2. Create data-driven graphics
3. Scripting
4. Process a batch of files
5. Play and manage actions
6. Add conditional actions
7. Almost actions and the Actions panel
8. Tape tools in actions
9. Add together a conditional manner change to an action
10. Photoshop UI toolkit for plug-ins and scripts
Color Management
1. Understanding colour management
2. Keeping colors consequent
3. Color settings
4. Work with color profiles
5. Color-managing documents for online viewing
6. Color-managing documents when printing
7. Color-managing imported images
8. Proofing colors
Content authenticity
1. Learn about content credentials
2. Identity and provenance for NFTs
3. Connect accounts for creative attribution
3D and technical imaging
1. Photoshop 3D | Common questions effectually discontinued 3D features
2. Creative Cloud 3D Animation (Preview)
3. Print 3D objects
4. 3D painting
5. 3D panel enhancements | Photoshop
6. Essential 3D concepts and tools
7. 3D rendering and saving
8. Create 3D objects and animations
9. Image stacks
10. 3D workflow
11. Measurement
12. DICOM files
13. Photoshop and MATLAB
14. Count objects in an image
15. Combine and convert 3D objects
16. 3D texture editing
17. Adjust HDR exposure and toning
18. 3D panel settings

For Photoshop versions before than Photoshop CC, some functionality discussed in this article may exist available only if you take Photoshop Extended. Photoshop does non accept a split Extended offering. All features in Photoshop Extended are part of Photoshop.

Frame animation workflow

In Photoshop, you use the Timeline panel to create blitheness frames. Each frame represents a configuration of layers.

To create frame-based animations in Photoshop, use the following general workflow.

If they are not already visible, open the Timeline, and Layers panels. Make sure the Timeline console is in frame animation way. In the centre of the Timeline panel, click the downpointing arrow to choose Create Frame Blitheness and so click the push next to the arrow.

Add a layer or convert the groundwork layer.

Because a groundwork layer cannot be animated, add a new layer or convert the background layer to a regular layer. See Convert groundwork and layers.

Add together content to your animation.

If your animation includes several objects that are blithe independently, or if you want to change the color of an object or completely alter the content in a frame, create the objects on split up layers.

Add a frame to the Timeline console.

Edit the layers for the selected frame.

Plough visibility on and off for different layers.
Alter the position of objects or layers to make layer content motion.
Alter layer opacity to make content fade in or out.
Change the blending style of layers.
Add a style to layers.

Photoshop provides tools for keeping characteristics of a layer the same across frames. See Unifying layer properties in blitheness frames.

Add more frames and edit layers as needed.

The number of frames y'all can create is limited only by the amount of system memory available to Photoshop.

Yous tin can generate new frames with intermediate changes betwixt two existing frames in the panel using the Tween command. This is a quick way to brand an object move across the screen or to fade in or out. See Create frames using tweening.

Set frame delay and looping options.

You tin can assign a delay time to each frame and specify looping then that the blitheness runs once, a certain number of times, or continuously. See Specify a filibuster time in frame animations and Specify looping in frame animations.

Utilise the controls in the Timeline console to play the animation as you create it. Then use the Relieve For Web command to preview the animation in your web browser.

Optimize the animation for efficient download.

There are different options for saving your frame animation:

Save as an blithe GIF using the Save For Web control.
Save in Photoshop (PSD) format so you tin exercise more work on the animation later.
Save as an paradigm sequence, QuickTime movie, or every bit separate files. See likewise Export video files or image sequences.

Add frames to an animation

Calculation frames is the first step in creating an animation. If you have an image open, the Timeline console displays the image as the first frame in a new animation. Each frame you add together starts as a duplicate of the preceding frame. You so brand changes to the frame using the Layers panel.

Make sure the Timeline panel is in frame animation mode.

Click the Duplicate Selected Frames button.

Select blitheness frames

Before you can work with a frame, y'all must select it as the current frame. The contents of the current frame appear in the certificate window.

In the Timeline console, the electric current frame is indicated by a narrow edge (within the shaded choice highlight) around the frame thumbnail. Selected frames are indicated by a shaded highlight around the frame thumbnails.

Select one blitheness frame

Do one of the following in the Timeline panel:

Click a frame.
Click the Select Adjacent Frame button to select the next frame in the serial as the current frame.
Click the Select Previous Frame button to select the previous frame in the series every bit the electric current frame.
Click the Select First Frame button to select the first frame in the series as the current frame.

Select multiple animation frames

In the Timeline panel, do one of the following:

To select contiguous multiple frames, Shift-click a second frame. The 2d frame and all frames between the first and 2nd are added to the selection.
To select discontiguous multiple frames, Ctrl‑click (Windows) or Command-click (Mac OS) additional frames to add those frames to the selection.
To select all frames, choose Select All Frames from the console menu.
To deselect a frame in a multiframe selection, Ctrl-click (Windows) or Control-click (Mac OS) that frame.

Edit animation frames

In the Timeline panel, select one or more frames.

To edit the content of objects in blitheness frames, use the Layers panel to alter the layers in the image that affect that frame.
To change the position of an object in an animation frame, select the layer containing the object in the Layers panel and drag it to a new position.

You can select and change the position of multiple frames. Notwithstanding, if you drag multiple discontiguous frames, the frames are placed contiguously in the new position.

To reverse the order of animation frames, choose Reverse Frames from the console menu.

The frames you want to reverse do non have to exist contiguous; yous tin reverse any selected frames.

To delete selected frames, choose Delete Frame from the Timeline panel menu or click the Delete icon, so click Yes to confirm the deletion. You lot tin also elevate the selected frame onto the Delete icon.

Unify layer properties in blitheness frames

The unify buttons (Unify Layer Position, Unify Layer Visibility, and Unify Layer Style) in the Layers panel determine how the changes you lot make to attributes in the agile animation frame utilize to the other frames in the same layer. When a unify button is selected, that aspect is inverse in all the frames in the active layer; when that button is deselected, changes apply to only the agile frame.

The Propagate Frame 1 option in the Layers console also determines how the changes you brand to attributes in the commencement frame will use to the other frames in the same layer. When information technology is selected, you tin change an attribute in the first frame, and all subsequent frames in the active layer will alter in relation to the first frame (and preserve the animation you lot have already created).

Unify layer properties

In the Timeline panel, alter the attribute to one frame.

Propagate Frame i

In the Layers panel, select the Propagate Frame 1 option.

In the Timeline panel, modify the aspect for the first frame.

The changed attribute is applied (in relation) to all subsequent frames in a layer.

Y'all tin can likewise propagate frames by Shift-selecting any consecutive group of frames in the layer and changing an attribute in any of the selected frames.

Choose Animation Options from the Layers panel carte du jour, and then cull ane of the following:

Automated

Displays the unify layers buttons when the Timeline console is open up.

Always Show

Displays the unify layers buttons whether the Timeline console is open or closed.

Always Hide

Hides the unify layers buttons whether the Timeline panel is open up or closed.

Re-create frames with layer properties

To sympathise what happens when you copy and paste a frame, retrieve of a frame as a duplicate version of an image with a given layer configuration. When you copy a frame, you copy the configurations of layers (including each layer'south visibility setting, position, and other properties). When y'all paste a frame, you employ that layer configuration to the destination frame.

Select ane or more than frames yous desire to copy in the Timeline console.

Cull Re-create Frame(south) from the console menu.

Select a destination frame or frames in the current animation or another animation.

Choose Paste Frame(s) from the panel menu.

Replace Frames

Replaces the selected frames with the copied frames. No new layers are added. The properties of each existing layer in the destination frames are replaced by those of each copied layer. When you paste frames between images, new layers are added to the epitome; nonetheless, just the pasted layers are visible in the destination frames (the existing layers are hidden).

Paste Over Selection

Adds the contents of the pasted frames as new layers in the image. When you paste frames into the aforementioned image, using this pick doubles the number of layers in the image. In the destination frames, the newly pasted layers are visible, and the original layers are hidden. In the not-destination frames, the newly pasted layers are subconscious.

Paste Before Option or Paste After Selection

Adds the copied frames before or after the destination frame. When you paste frames between images, new layers are added to the epitome; still, only the pasted layers are visible in the new frames (the existing layers are subconscious).

(Optional) To link pasted layers in the Layers panel, select Link Added Layers.

This option works simply when pasting frames into another document. Select it when you plan to reposition the pasted layers every bit a unit.

Create frames using tweening

The term tweening is derived from "in betweening," the traditional animation term used to describe this process. Tweening (also called interpolating) significantly reduces the time required to create animation effects such as fading in or fading out, or moving an element across a frame. You tin edit tweened frames individually after you create them.

You use the Tween control to automatically add or modify a series of frames between two existing frames—varying the layer properties (position, opacity, or issue parameters) evenly between the new frames to create the appearance of motion. For instance, if yous want to fade out a layer, set the opacity of the layer in the starting frame to 100%; then set up the opacity of the same layer in the ending frame to 0%. When you tween betwixt the two frames, the opacity of the layer is reduced evenly across the new frames.

Photoshop create frames using tweening — Using tweening to animate text position

To employ tweening to a specific layer, select information technology in the Layers panel.

Select a single frame or multiple contiguous frames.

If you lot select a unmarried frame, you lot choose whether to tween the frame with the previous frame or the adjacent frame.
If y'all select 2 contiguous frames, new frames are added between the frames.
If you select more than two frames, existing frames between the first and last selected frames are altered by the tweening operation.
If yous select the first and final frames in an animation, these frames are treated as face-to-face, and tweened frames are added later the final frame. (This tweening method is useful when the animation is fix to loop multiple times.)

Click the Tweens button in the Timeline panel.
Choose Tween from the panel menu.

Specify the layer or layers to be varied in the added frames:

All Layers

Varies all layers in the selected frame or frames.

Selected Layer

Varies simply the currently selected layer in the selected frame or frames.

Specify layer properties to be varied:

Position

Varies the position of the layer's content in the new frames evenly between the get-go and catastrophe frames.

Opacity

Varies the opacity of the new frames evenly between the get-go and ending frames.

Furnishings

Varies the parameter settings of layer furnishings evenly between the beginning and ending frames.

If you selected a single frame in step ii, choose where to add frames from the Tween With card:

Next Frame

Adds frames between the selected frame and the following frame. This option is not available when you select the terminal frame in the Timeline console.

First Frame

Adds frames between the last frame and first frame. This option is available only if you select the terminal frame in the Timeline panel.

Previous Frame

Adds frames between the selected frame and the preceding frame. This choice is not available when you select the first frame in the Timeline console.

Final Frame

Adds frames between the outset frame and last frame. This pick is available simply if you select the commencement frame in the Timeline panel.

In the Frames To Add box, enter a value, or use the Up or Down Arrow key to cull the number of frames. (This option is not available if yous selected more than two frames.)

Add a new layer for each new frame

The Create New Layer For Each New Frame control automatically adds a new layer visible in the new frame only hidden in other frames. This pick saves time when you are creating an blitheness that requires yous to add a new visual element to each frame.

Choose Create New Layer For Each New Frame from the Timeline panel card.

A check marker indicates that the option is turned on.

When yous create a new layer, it is visible in all blitheness frames by default.

To testify new layers but in agile frames, deselect New Layers Visible In All Frames from the Timeline panel menu.
To hide a layer in a specific frame, select the frame, and then hide the desired layer in the Layers console.

Specify a delay time in frame animations

You can specify a delay—the time that a frame is displayed—for single frames or for multiple frames in an blitheness. Delay time is displayed in seconds. Fractions of a 2nd are displayed as decimal values. For instance, one-quarter of a second is specified as .25. If you set a delay on the current frame, every frame you create subsequently that will remember and utilize that filibuster value.

Select ane or more frames in the Timeline panel.

Click the Delay value beneath the selected frame to view the popular‑up carte.

Choose a value from the pop‑upwards menu. (The concluding value used appears at the bottom of the carte du jour.)
Choose Other, enter a value in the Set Frame Delay dialog box, and click OK. If you lot selected multiple frames, specifying a delay value for one frame applies the value to all frames.

Choose a frame disposal method

The frame disposal method specifies whether to discard the current frame earlier displaying the next frame. You select a disposal method for animations that include background transparency to specify whether the current frame volition be visible through the transparent areas of the next frame.

Photoshop Frame disposal methods — Frame disposal methods

A. Frame with background transparency with Restore To Background optionB. Frame with groundwork transparency with Practise Not Dispose option

The Disposal Method icon indicates whether the frame is prepare to Do Not Dispose or Dispose. (No icon appears when Disposal Method is fix to Automated.)

Select a frame or frames for which you want to choose a disposal method.

Correct-click (Windows) or Control-click (Mac Os) the frame thumbnail to view the Disposal Method context bill of fare.

Choose a disposal method:

Automated

Determines a disposal method for the electric current frame automatically, discarding the current frame if the next frame contains layer transparency. For most animations, the Automatic pick (default) yields the desired results.

To preserve frames that include transparency, select the Automatic disposal option when y'all are using the Redundant Pixel Removal optimization option.

Do Not Dispose

Preserves the current frame equally the next frame is added to the display. The current frame (and preceding frames) may show through transparent areas of the next frame. Utilise a browser to meet an accurate preview of an animation using the Do Not Dispose option.

Dispose

Discards the current frame from the display before the next frame is displayed. Only a unmarried frame is displayed at any time (and the electric current frame does not announced through the transparent areas of the next frame).

Specify looping in frame animations

You lot select a looping option to specify how many times the animation sequence repeats when played.

Click the Looping Selection Selection box at the lower-left corner of the Timeline panel.

Select a looping choice: Once, 3 Times, Forever, or Other.

If you selected Other, enter a value in the Set Loop Count dialog box, and click OK.

Looping options can also be set in the Relieve for Web dialog box.

Delete an entire animation

Choose Delete Animation from the Timeline panel menu.

Source: https://helpx.adobe.com/photoshop/using/creating-frame-animations.html

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